If you haven’t seen “A Dangerous Method” (2011), it’s a movie staring Viggo Mortensen as Freud, and Michael Fassbender as Carl Jung. There is one scene, in particular, that sort of reveals the difference between legitimate psychoanalysis and its vulgar popularized version. Continued…
“I’m a runaway slave-master shittin’ on the past.” —Iggy Azalea,D.R.U.G.S.
All things evolve. From the simplest entity to the most complex, all that we know has come to be through processes of mutation and adaptation in an effort to greater increase chances of survival. While beneficial mutations are passed on to following generations, the harmful become obsolete. This process is not, however, considered to be “purposeful”—there is no end goal, other than survival. Therefore, not all changes are “good.” Sometimes, they’re purely necessary feats of preservation.
The only thing that generates more anger than poor people having a great life is poor people having a normal life. If you, dear boo-zwhah libertarian, read about some ghetto gurls making mad stacks off the System, your blood pressure may rise, but at least those gurls are clearly bad and wouldn’t exist in your glorious silicone utopia which, according to Ray Kurzweil, is just one $13,000,000,000 government subsidy away.
These people in this article, normal people living normallives in boring shacks in the Carpathians, are much greater threats to your identity. They’re living a life likely not much more happy or sad than yours, they’re doing it with much less than you have, and most importantly, they’re doing it by having absolutely nothing to do with you and your ideal world. You couldn’t be a welfare queen, but you could live in a shack, and to reassure yourself that your Prius lifestyle is totally okay, you need to post screeds about how these people in their shacks are abusing themselves and their children. Continued…
If you’re reading this then you probably already know that there’s a languishing blog called The Last Psychiatrist. The comments section feels like The Wasteland, but there’s a wealth of posts in the archive and it’s well worth you’re time if you haven’t visited. I’m a comparatively new reader, having discovered the blog about a year ago (more likely, the blog discovered me), and I’m not the first to notice parallels between Alone’s critique and Zizek/Lacan’s theoretical framework. Most clearly, Alone explains “the system” as (Symbolic) big Other, and the ego as (Imaginary) fantasy. His readability––especially as it compares with the philosophical speculation of Zizek and the jargon-laden Lacanian texts––comes not just as a result of his humor, self-deprecation and insights, but also because Alone scrupulously avoids talking explicitly about the third and most infamous “Lacanian register”, the Real. I’m confident that the Real does figure in Alone’s account, but I hesitate to say much more than that. I think that whenever he talks about “behavior” or “defense mechanisms” or “change”, the assumption is that there is, in fact, a subject ($) beyond/beneath the ossified and dogmatic ego. What I hope to flesh out with some of these quotes––and what I finally find so compelling about TLP––is the way he specifically guards against that assumption. The subject is “blocked” ($) from the very start, meaning that it doesn’t lie “beyond” or “beneath” anything but instead is a sort of “user experience”.
Jesus fucking goddamn son of a cunt, this is the ugliest two minutes forty-three seconds of poker-faced alienation-porn I have caught myself watching drunk at three fifty-two in the morning on a week-night in… a long time.
I am not an American, so I cannot pretend to know what your whole ‘homecoming’ thing is all about. I can only presume that is isn’t actually as horrendous as it appears to be, but, the obvious question is: how much more can there be to an institution which appears to be all about appearance? Continued…
With only one episode left in the first season of “The Leftovers”, HBO’s new quasi-apocalyptic offering based in the contemporary suburban town of Mapleton, it remains to be seen whether the spontaneous worldwide disappearance of 140 million people was the start of something, shall we say, metaphysical.
We know, for sure, that there was nothing terrestrial about the “great vanishing” (my term); just – poof – like a fart in the wind. And fans of other HBO series would be remiss for not drawing parallels between “The Leftovers” and 2003’s “Carnivàle”, which, set in a Dust Bowl era traveling circus/sideshow, explicitly dealt with a coming apocalypse. That is until, in a kind of metapocalypse, it was cancelled after the second season. Continued…
“We may deal with flimsier coin, but, like the abstractness of high finance, the business is even more serious for it.” – Ernest Becker
Founded in 2005,
Reddit has its own internal logic, self-contained culture, and inside jokes that keep its more active users hooked. A friend describes redditing at work and cracking up at all kinds of stuff he has no means of explaining to his coworkers. Its a place for people to indulge tendencies that they can’t or wouldn’t elsewhere.
The site has, let’s say, a reputation. Reddit is a casual diversion for bored tech bros, hipsters, and cubicle jockeys, until it isn’t. On reddit, you never know when a simple discussion is going to get heated, abusive, or unbelievably stupid. Continued…
In addition to the commonly-accepted definition of narcissism, readers of this blog are likely familiar with a second, more nuanced definition. This second definition more-or-less defines contemporary individualism in the west. It is a pervasive, subtle sort of selfishness that is defined so loosely so as to apply to most people; alas you, dear reader, and I are not exempted.
Quite often, when discussing works of art, people argue about the intent of its creators. What did Stanley Kubrick want to say with “Barry Lyndon” or, let us say, “Eyes Wide Shut”? What ideas did Jean-Paul Sartre encase in “Nausea”? What’s the message of <…>? On and on these questions go.
Questions of this sort appear due to various reasons, but I’d highlight this one: the desire to see past the obvious things and discern various intricacies. Symbols, references, thoughts hidden between the lines, you name it. In other words, these queries are driven by curiosity, by thirst for knowledge. And in this specific case, who can quench it more effectively than the creator of the work?
But all such discussions will consist of pure speculation, unless the author had the courtesy to accommodate his work with some sort of documentation, an official guidebook of sorts, which contains authentic revelations. Such a commentary, if provided, swiftly puts an end to all arguments about what the author himself saw in the work he produced.
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